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Our school years from 1956 through the Spring of 1962, were punctuated by the birth of rock 'n roll, which included the harmonic musical style and unforgettable songs we know as Doo-Wop. The groups that originated this special music began in the basements of local churches and on the street corners of Philadelphia, Chicago and New York. They often sang a cappella with no instruments and those that reached the top received little credit for the memories they spun at 45RPM on the records of our lives. We embraced that music during our school years and decided to form "combos" or groups to perform for our peers at school functions. We named ourselves "The Embers" our senior year at Woodrow and began to win school talent shows and perform for assemblies. In one of our few performances outside school walls, we won second place in a Central Dads Club Talent Contest at State Fair Music Hall. The First Place winner was a band led by Jesse Lopez, brother of Trini Lopez. This group was later disqualified because Jesse was performing professionally at the time.
College and the military sent us all in different directions, but we somehow managed to reconnect along the way. Eventually, all but one of us made our way back to our roots in the Dallas area. Mike, a trained tenor, put his voice to work with bands all through his years at Baylor University. Glenn started High Spirits, a band he lead full time for a couple of years in Dallas. Ralph joined friends from the Guard in a rock/doo-wop band, while Jack and Jerry had no affiliations musically again until the winter of 2001. That night at Cafe Express we were, as always, reminiscing a little and the subject of our upcoming 40-year high school reunion came up. Jack, a doo-wop lover, popped out with something like, " Wouldn't it be cool if we could pull our old Embers group together and sing a few of our old songs at the reunion?". "I was thinking about that myself," returned Glenn, a former professional musician with his own group, High Spirits, a local 70s band. Everybody seemed to like the idea, with reservations. What was conceived as a casual idea over dinner begin to incubate. The pros and cons were followed by more ideas, obstacles and possibilities: Could we still sing? Good question! Who would join us? How would we start? What would we sing? Over the next few weeks, the answers came. An "audition" session was scheduled at Glenn's in January of 02. The result? None of us had sung much for decades, but there was promise. Nita, Glenn's wife, a music teacher in a Dallas area school district and a musician herself, shared later, "When you guys first came up with the idea, I had my doubts, since I had never heard you sing together. Then, when I heard you at that first session, I thought to myself, 'I really think they can pull this off.' " It was agreed the idea had merit and could actually be do-able. Details over the initial song list, style, participants, practices and approach had to be resolved, not the least of which concerned Mike, who then lived in Sedona, Arizona and had not been seen by any of us since the class reunion of 1982 -- 20 years earlier! But not to worry. When Mike was contacted, he shared our enthusiasm and joined us long distance. Bob, another former Embers member, was unable to participate.
From the outset, our focus was doo-wop vocal harmony in the original doo-wop style and the songs would be transcribed, arranged and performed as closely to the originals as possible. Another unique charasteristic is that all members of the group share lead vocals on the songs. This flexibility adds to the variety, the presentation and our personal interests. Glenn spent countless hours transcribing all the original 12 tunes for the 2002 reunion by listing to the originals with headphones, and using Sibelius notation software to create scores for all vocal and instrument parts. He recorded practice backgrounds for all members so we could use driving time to work on our parts and timing, a critical component of good Doo-Wop. The patience, time and talent of Glenn and Nita have been the catalytic converters of our rebuilt doo-wop engine and the rest of us are grateful for their invaluable investment in our development. The 2002 performance was a surprise to most who thought they would here some old classmates in a mediocre attempt to sing some songs.Two years and over 20 tunes later, the band continues to doo-wop for a variety of organizations and venues. We all have other lives and enjoy the flexibility of being able to choose performance opportunities, subject to individual personal and business schedules. For further information, please contact us. Samples of our music will be available soon. Please check back.Oh, yes -- about our name. Well, Jack's brother, Bill, came up with it during a phone conversation about the naming process. Bill said, "You oughta call yourselves the Viagras!" Well, we adopted it originally as a satirical name for our 40-year reunion group only. We have considered many other names since, but this one sticks, so far. It may change some day. We intend to offend no one. And, we sincerely hope we aren't reprimanded or sued by the makers of that now-famous product. For now, we would rather say "I'm sorry." than ask permission. Our thanks to our "groupies" who help keep us going and get us gigs...Nita, Gretchen, Kay, Cheryl, Don, Miles, Karon, Jim, Joanne, Bill, Sally, Moms and others. Our thanks to our hosts who have been pleased enough to recommend us. And thank you for visiting The Fabulous Viagras web site. References are available. Please ask. Video interview, courtesy NeighborsGo ( http://neighborsgo.com )
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